How To Create A Coin With His Portrait?
Use your portrait to create a photomontage depicting your self on a coin. A filter out and a few layers are enough to create a sensible impact.
This week, I decided to introduce you to a form of filter
that isn't always used often: the stamping filter out. The engraving impact it
generates is perfect so one can create your coins. This photomontage is a
superb exercise for all individuals who desire to familiarize themselves with
the control of the layers because they are relatively numerous on this example.
The software program used in this academic is Photoshop Elements.
1. The training of your portrait:
Take your photo on a plain, clean historical past and
ideally outside (the gable of a house for example). If you should take your
image inside, do no longer placed the flash. In this case, you would undergo a
protracted and tedious job of getting rid of the shadow generated by way of it.
Also, be cautious not to frame your portrait too tight. Remember that you'll be
wanting to consist of a few textual content and logos to your coin.
Do no longer crop your image. This may be completed later.
Clean up your photograph. To do so, use the "Localized
Corrector" device to do away with spots of freckles, scars, redness, and
wrinkles which you do now not need to seem. Do not forget about both the
possible imperfections of the heritage that you put. As you will see later, I
have to have shaved (but hey, we're on Weekend anyway!)
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| Image masking |
2. Creation of the engraving of your portrait:
Convert the photograph to black and white (Accentuation / Convert to black and white…).
Take the selection tool " Selection ellipse",
provide it a modern contour of zero pixels (the alternatives are beneath the
menu bar) then, whilst pressing the Shift key, click on and drag on the image
to have a circle perfect. Position the circle in keeping with the coin you want
to make (centered or off-center portrait).
Photo modifying tip: the Alt key permits you to have a choice focused on the beginning
point. So press the Shift and Alt keys at the identical time to have a targeted
and circular choice. For this to work, you need to release your mouse before
the keys.
If your circle isn't well-positioned, adjust it to the use
of the arrows on your keyboard.
Photo modifying tip: press the Shift key and the selection will circulate 10 pixels
every time you press one of the arrows in your keyboard.
Once the selection circle is successfully positioned,
memorize it and name it (Selection / Save choice). You can now deselect the
choice (Select / Deselect).
Apply the filter (Filter / Aesthetics / Stamping…) and decide the Height and Factor parameters permitting you to
reap a nice result. Be careful to word the value of the angle as it may be
necessary to suggest this value on all the following types of layers.
Retrieve your selection (Selection / Retrieve choice…),
replica it (Edit / Copy), create a new layer (Layer / New / Layer…) and paste
it on the brand new layer (Edit/paste). You have to get something just like the
photograph underneath. Name your layer “Engraving”.
3. Creation of the border of the coin:
Take the pipette tool and pick out the gray color of the
historical past on which you have placed.
Add a brand new layer (Layer / New / Layer…). Call the
"Border"
Retrieve the selection out of your circle.
Determine the thickness of the border. To do this, visit the
Edit / Contour menu of the choice…, input the price corresponding to the
the thickness of the border you want then picks the “Exterior” choice.
Create the relaxation of the threshold of the part (Layer /
Layer Style / Style settings…). Indicate at the dialog field that appears, the
fee of the angle that you previously mentioned when making use of the stamping
clear out. Check the beveling alternative (5 pixels, "up" choice).
4. Creation of texts:
Take the textual content tool and input the #1. It ought to
generally, be invisible, however, it does seem in your layers (it has the same
coloration as the heritage and border of your part).
Go to the layer similar to the border of your coin then
reproduction the layer style (Layer / Layer Style / Copy layer style). Select
the layer with the number one then paste the fashion (Layer / Layer Style /
Paste layer fashion). The number one now seems.
Double click on the T of layer 1 to pick the font and size of your
choice. For my part, I selected the "Cambria" font.
Do the same manipulation to create the alternative
inscriptions. Use the Duplicate Layer ... function by using right-clicking on
the text layer you simply created. The style of effects could be copied. The
the rounded impact is obtained with the aid of clicking in "create the
distorted text" and via deciding on the "Arc" choice in the
"Distort textual content" dialog field which then appears at the
screen.
Select the layers “Engraving”, “Border”, as well as the
texts, then reproduction them (Layer / Duplicate layers). Merge them (Layer /
Merge layers) and name this new layer “Room”. Add a style to this layer (see 3)
and create a drop shadow for it. Having duplicated layers allows you to
preserve all of the factors that make up your photomontage. You can then easily
create new pieces afterward.
Add a primary Brightness / Contrast adjustment layer to the
“Room” layer (Layer / New adjustment layer / Brightness / Contrast…). Do not
hesitate to push the brightness and contrast to obtain a silver effect.
Add a Hue / Saturation adjustment layer below this primary
layer (Layer / New Adjustment Layer / Hue / Saturation…). By transferring the
coloration cursor you could create the gold and copper editions to enhance your
series of portions.
Hue / Saturation adjustment layer window ...
5. Creation of the golden zone:
We are consequently going to reduce the scale of the layer
which incorporates the engraving of your portrait so that you can interpose
between this one and the border this well-known golden area. I recommend you to
make a "Save As" of your document and now not to preserve the merged
layers. You will have a record to create the pieces made from unmarried steel
and another for the two-tone portions.
Select the "Engraving" layer, retrieve the choice
from your circle (see 2) then go to Selection / Transform the choice. In the
alternatives area, positioned a value of around 85% then validate employing
clicking at the small green checkmark. Save this new choice (see 2)
Create a new layer beneath the "Engraving" layer,
retrieve the choice similar to the huge circle, take the paint bucket tool and
click on within the selection circle (it should turn gray).
Now choose the layers making up your entire room (without
the adjustment layers), duplicate them and merge them. Name this new layer
“Room”.
Retrieve the choice similar to the small circle (cf. 2) then
replica/paste on a brand new layer which you position just above the
"Room" layer. Name this layer “Room Interior”.
Go to the "Room interior" layer and assign it a
layer style (see 3). Choose bevel and take a look at the "Down"
alternative.
Position the Hue / Saturation adjustment layer simply above
the “Room” layer and clip the layer (Layer / Create clipping mask). This option
allows you to restriction the impact of the adjustment layer most effective to
the layer that is simply beneath it.
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